“I watch my kids cover themselves in duct tape and use whole rolls of wire to wire their siblings together,” says Kyra Matsui, proprietor of Iron Lace Design, “and I can see who I was from the beginning.”
Kyra, 39, lives in Toronto and turns out a dazzling array of intricate, sturdy jewelry and rosaries, at once heavy and delicate, many incorporating Japanese-style chainmail and vintage watch movements.
Her drive to create started early, she says:
“I was an isolated child, hiding in my room, making stuff. I remember when I was six, there was this plastic dollhouse stool. I figured out if I wove Kleenex around it and wet it, then when it dried, I could slip it off, and I would end up with a little basket. I started painting Kleenex with food coloring and hanging it all over the ceiling. My parents were so patient!”
“My own public school experience was pretty bad,” says Kyra. “I didn’t really learn any kind of work ethic, or how to concentrate, but I did learn how to be quiet so I could get away with anything.
“For me, that was making stuff. I remember reading Rosemary Sutcliffe’s Warrior Scarlet when I was nine or so, and teaching myself to weave on a little loom I made out of a cardboard box. I was supposed to be doing schoolwork. Instead, I pulled stuffing out of a pillow and figured out how to make a spindle.”
Here’s the rest of the conversation I had with Kyra about her current work:
How did you get started making jewelry? What is it about chainmail that appeals to you?
You can attach dangly stuff to it and incorporate it into the construction.
You also have some jewelry made of watch parts on your page. Tell me how you got your hands on that.
It all belongs to my father, whose parents emigrated from Japan in the 20’s. He was eight or nine when the Japanese Canadians were interned. His family ended up in Toronto after they were relocated. He trained as a watchmaker and repairman and jeweler, and he had a workshop in the house I’m sitting in now, the house I inherited.
After he died, I was clearing out all his stuff, and thinking, ‘This is beautiful stuff. ” I’m not going to learn to do watch repair. I tried to sell it, but I didn’t get any takers.
What would he think of the jewelry you make with his watch parts?
He would be appalled!
Well, he would be happy it was being used, but perturbed. He wanted me to go into fine arts and into jewelry-specific programs, metalworking, gemology. But I’ve always come at things more from a costuming and textile end.
Chainmail is a lot more like working with fabric then metalwork. I’d like to learn to solder, but that requires a lot of precision. Chainmail is more like knitting.
If time and money weren’t a factor, I’d love to be working in precious metals and gems. I’m learning how to solder and make my own findings. I’d love to do some sort of elaborate fantasy set, with headpiece, necklace, hand flowers, and neck piece, and make a dress that goes under it. I’m not watching Game of Thrones, but the costuming is fantastic. I’ve been looking up jewelry for the Southern Kingdom. Very East Indian-Ottoman Empire-Persian stuff.
If people want to order from Iron Lace Design for Christmas, when should they order?
If they want a special order shipped before Christmas and they’re in the states, get the order in by early December. Regular mail tends to be a week. Priority mail is faster, but pretty expensive. But if I have to source material, I may have to order it online.
[Two special order stainless steel rosaries, one in lapis, one in garnet:]
Kyra also makes single-decade pocket rosaries like this one in jade:
3 thoughts on “Chainmail, goth, and rosaries: An interview with Kyra Matsui of Iron Lace Design”
” We have a few drinks, thrash around on the dance floor, and then go back to our lives as attorneys or whatever.”
I love artists. What would the world do if there weren’t artists to break up the monotony?
These are AMAZING pieces, what talent. I’ve dabbled in making bracelets from chainmaile links as well, I’ll def check out her website!
I love the Halloween costume. 😀