Everyone disliked The Robe pretty thoroughly and we wanted something very different, so we went with The Trouble With Angels (1966). No one in our family had seen this one before. We streamed it through Amazon for $3.99. Warning, this post will contain a spoiler.
The plot: Mary, a born leader and troublemaker (Hayley Mills), and Rachel, a willing follower (June Harding), are high school girls deposited at St. Francis Academy for Girls, where they immediately begin to hatch “scathingly brilliant ideas” for how to subvert the peace and stability of the school. The imperturbable Mother Superior (Rosalind Russell) is their particular nemesis whose patience is put to the test more and more.
The story is an episodic series of pranks and escapades, but it is gradually revealed that the various teaching nuns aren’t just all quirky in their own ways, but many of them have poignant, sometimes tragic pasts that led them to the convent. This is not lost on Mary, even as she continues to torment them and flout their rules. Eventually, Mary and Rachel’s mischief goes too far; but when their guardians are called in for an expulsion interview, Mother Superior discovers that Mary, too, has her reasons for being the way she is, and she has mercy on her (and sees promise in her). At the end, when the girls are graduating, Mother Superior announces that two girls will be joining the convent as novices, and one of them is Mary. Rachel is furious and feels betrayed, but Mary is at peace with her decision, and it’s clear that she can be who she is but may still have a true vocation.
So, this is a very 1966 movie. It’s very mannered, and some stretches are tedious, and the some of the sight gags are painfully dated. There are some uncomfortable moments where the camera lingers on young girls’ thighs and bottoms for laughs. The accents are a mess, and it’s unclear exactly where the school is. There’s not a scrap of subtlety in sight.
At the same time, the movie doesn’t steal any bases. All the elements are there for the story of Mary’s gradual maturation, and Mother Superior’s growing affection, to make sense and feel real (and it is, in fact, based on a memoir, Life with Mother Superior by Jane Trahey). Haley Mills is a much better actor than I realized, and there were a few truly moving moments, as well as several funny ones. I liked that it showed true friendship between the nuns, as well. I would have liked it better if they cut about twenty minutes out, but I did like it.
Overall, recommended. The animated opening and closing credits are a lot of fun, too.
Next up: I don’t know! I’ll probably push for Babette’s Feast. The kids somehow manage to read subtitles when they’re watching their Dragonballs, so they can’t beg off on those grounds.
Some of us also re-watched Hail, Caesar, which I appreciated even more after having seen The Robe. I love Hail Caesar so much. The Cohen brothers are upfront about not knowing what to do about God (“Divine presence to be shot,” it says on the screen of the religious epic they’re filming, to mark the place where they’ll add in God later), but it’s less nihilistic and less yearning, overall, and very sweet and very funny. Everyone is just doing their best, according to their very varied abilities. Recommended all to pieces, probably for ages 10 and up.