Last year, popular sacred music composer David Haas was accused of sexually and spiritually abusing and assaulting 44 women. A recent conversation about his music took an interesting turn, and I thought I’d share some of it here.
First of all, it’s a shame that it even has to be said, but the guy’s music should never be played in church again. He shouldn’t be making royalties off songs he wrote and used explicitly to groom and manipulate women, and nobody should have to hear the words of a predator sung inside the walls of their church.
I have my own thoughts about separating the artist from the art, but this is different: The guy explicitly and recently used his celebrity as a religious artist to prey on women. He should be out for good, period. Yes, even if that one song of his was very meaningful and moving to you at some point in your life. You can always play it in your own home if you like it that much. Music is expendable, but people are not. Even if it were the most sublime music in the history of the church, it doesn’t belong in the church because of what he did.
Everyone agreed on that point, and we moved to the second point, which was more contentious, and which was this: Perhaps Haas’ music wasn’t sublime. Far from it: It was pretty terrible, so there’s a second (less urgent) reason it shouldn’t be played in church. Yes, I firmly believe that some music is objectively inferior to other music. Music that’s trite, coy, and formless is inferior. You don’t have to be a trained musician to develop a sensitive ear, which makes hearing bad music at church the equivalent of sitting on sticky, splintery pews or breathing air that smells like rotten eggs. Christ is still present, but gosh, it’s distracting.
Then came the third objection to Haas’ songs: The lyrics…Read the rest of my latest for The Catholic Weekly.