Sorry this is so long. I didn’t have time to write anything shorter.
Seven Quick Takes: Seven Really Good Books for Young Adults
When I was in high school, everything we read had to be about either the Holocaust, or suicide, or both. An exception could be made for books about racism, provided several lynchings were described in technicolor. Then, after we finished our assigned reading for the year, the school board would hold a workshop on what to do about rampant and debilitating depression in the student body.
Well, it’s too late for me, of course. As soon as I’m done with this post, I’m going to go huff some wood glue, write a note blaming my parents, and OD on some Xanax I stole from the locker room while listening to Nevermind (to my younger readers: check your oldies station if that reference puzzles you. Oh, lord. . . )
But you still have a chance. Here are seven books of fiction I recommend for your teenager or almost-teenager. Kids that age do enjoy a good bout of angst, but these are books that don’t glorify teenage gloom, or teach that it’s the world’s job to learn to appreciate the delicate genius that is Teenage Me. Not all of the books are about teenagers, and all of them could easily be enjoyed by adults. Most of these books are about courage, and about something that teenagers really need to know: how to discern true love from its flashier counterfit. With the possible exception of the Patterson novels, I don’t think this list is too girly. The only other thing they have in common is that they are stuffed with good ideas that young people need to hear, and the writing is far above average.
Till We Have Faces by C. S. Lewis
This one is often included in YA lists, but not for the right reasons, I think. Teenagers won’t fully appreciate the themes of love and fidelity in this fleshing-out of the myth of Cupid and Psyche, but there is plenty else in this gorgeous and searing novel to grab them by the scruff of the neck and shake the stupid ideas out of them. Heartrending and intense. For grades 9 and up.
–2 and 3–
Two novels by Katherine Patterson:
Jacob Have I Loved is a coming-of-age novel about twin girls living on a crabbing island in the Chesapeake Bay in the 1940′s. One sister is lovely, talented, fragile, and secretly vicious — the other, the narrator, is plain, strong, and full of rage. The character of the horrible old grandmother is unforgettable. The book achieves something I always look for in a novel: honesty about the flaws of the main character, with flashes of sympathy for even the worst characters. Flawless in structure, characterization, and style. For grades 7 and up.
Another excellent novel by Patterson, suitable for grades 5 and up, is The Great Gilly Hopkins.
It’s like Flannery O’Connor, Jr. Great portrayals of hypocrisy, great portrayals of genuine love by a genuine Christian, who happens to be a fat, trashy, semi-literate foster mother named Trotter. It could easily have dissolved into melodrama, but resists. My only quibble is with the character of the black teacher, Miss Harris — she seems a bit too glibly drawn as the hard-as-nails and smart-as-a-whip black teacher with a heart of gold, etc. All the rest of the characters, though, are thoroughly believable, from Trotter, to her pathetic ward William Ernest Teague (W.E.T.), to the greasy-haired would-be sidekick, Agnes Stokes. (See, I remember all their names, and I haven’t read this book for years. It sticks with you!) I believe it’s sold as a novel about racism, but it’s really just about love.
The Education of Little Tree by Forrest Carter
I know, I know. The guy passed it off as an autobiography, and it wasn’t. Pretty awful — but darn it, I still like the book. It is beautiful and funny, and I feel happy while reading it. I wish I knew the characters in real life, which is more than you can say for most novels or autobiographies. If you’ve heard that this book is just a piece of anti-white propaganda, you’ll be surprised. I suppose there’s a message in it, but it’s not the main point — the story is, and it’s a wonderful story about a boy growing up with his Cherokee grandmother and half-Cherokee grandfather in the mountains during Prohibition. Also, it makes descriptions of scenery interesting. Apparently it’s been criticized as perpetuating the “noble savage” stereotype of the American Indian, but, again, I just don’t see that. What I read was an ancient story of happiness, broken by a terrible grief and darkness of separation, and then a return to happiness, until Eden is outgrown. To read more into it than that is to deprive yourself of a good story. For grades 6 and up.
A Canticle For Leibowitz by Walter M. Miller, Jr.
This one is for older teens, for sure. The story is complicated and demands a lot of the reader. To be honest, I’m too tired to explain the plot to you. It’s about Catholic monks and Jews and miracles and nuclear war and space travel and mutants. It’s a crazy, grotesque, hilarious, fascinating epic with lots and lots of ideas. There is a disturbing theme of the cyclic nature of history that seems to imply a “new” Immaculate Conception, but a teenager with a good grounding in the faith won’t be troubled by it. I like how the priests are real men. It will appeal to lovers of science fiction, but is so much more than that.
The Don Camillo stories by Giovanni Guareschi
Three collections of short, sweet, funny and poignant stories from post-WWII Italy about a large and rash village priest and his rival, the equally large and rash communist mayor Peppone. If you don’t enjoy these stories, there is something wrong with you. I could do without the cartoonish illustrations by the author, but the stories are hugely entertaining, and touch on all kinds of interesting theological ideas. Don Camillo’s conversations with the crucified Christ in his church are authentic and moving. For grades 7 and up.
Out of the Silent Planet and Perelandra by C. S. Lewis
The first two books of the space trilogy are great stories and provide so many memorable scenes (the third in the series, That Hideous Strength, takes a different turn and is not for the kiddies). It was from Perelandra that I learned that evil isn’t interesting and the devil isn’t clever or charming — as Ransom learns one night as keeps watch on the beach with the Un-Man, and they have the following dialogue all night long “Ransom.” – “What?” – ” . . .Nothing.”
For more mature teenagers — there are ideas about sexuality which are entirely Catholic (yes, I know Lewis wasn’t), but which less mature kids won’t be able to manage. The only part that might strike readers as dated is the fact that the villain wants to conquer worlds and force humankind on the universe, whereas today’s humanist villains are more interested in shrinking and curtailing the human race. It might be an interesting conversation to discuss what the current evil ideas have in common with the ones in the books.
There are many, many wonderful scenes in both books. I was especially affected, as a teenager, by the passage in Perelandra where Ransom protests to God that there is a representative of Evil in the world, fighting for the soul of the unfallen Lady — and why is there no champion of Good? And the silent and terrifying answer comes booming back at him: you. There is also the memorable phrase, “In the name of the Father, and of the Son, and of the Holy Spirit, here goes! I mean, Amen!” Lewis’ descriptions of scenery are the only drawback to these books — he does go on and on, and you have to read really carefully to understand what he is describing. I think these passages could simply be excised without any damage to the books. For grades 10 and up.
You’ll notice there is no Madeleine L’Engle in this list. I read her books several times as a Young Adult, and I’m sure they influenced me, but I just don’t like her. I don’t like her smarmy characters, I don’t like how her ideals of family life are utterly saturated in six kinds of snobbery. I don’t like the loosey goosey games she plays with comparative religion, and her stories leave me cold, irritated and unsatisfied. I’m always astonished that she’s described as some kind of genius — her prose always strikes me as hokey and stilted. She is very original, I’ll admit, but I have very little patience with her “Oh-the-aching-wonder-of-it-all” genre. I wouldn’t say “don’t read her stuff,” but I think you’ll do just fine if you never do read her.
Okay, so, yay, I wrote a blog post! Thanks to the gracious and prolific (in every way)Jen Fulwiler for hosting Seven Quick Takes every Friday.
UPDATE: Several readers mentioned Patterson’s Bridge to Terebithia and A Tree Grows in Brooklyn by Betty Smith. My take: yes, Bridge to Terebithia is just awful. As reader Suburban Correspondent put it, “It was everything that was wrong with YA books in my youth – all the hopelessly messed-up adults, the characters manipulated by the author to send some sort of message.” Yup, pretty much a blight on Patterson’s career. Her books that I recommended are totally different. I also remember that her novel The Master Puppeteer was quite good, and is about a boy. She has written many historical novels for young adults.
A Tree Grows in Brooklyn is fantastic — good call, folks. I can’t imagine a boy really enjoying it, but it really is a wonderful book. It’s about a girl growing up in the slums in Brooklyn before and during World War II. Betty Smith’s other books, unfortunately, are dreadful! A Tree Grows in Brooklyn is fiction, but obviously semi-autobiographical, and is very moving and full of insight into a young girl’s mind. Some of her notions about sex could be a little damaging to susceptible girls, though, so you should probably read this one first, and discuss it with your daughter.