Eileen Cunis, 67, makes banners for churches. Not those primitive and graceless felt-and-burlap banners that dominated liturgical decor through the ’60s or ’70s, but thoughtfully crafted, dignified works of art produced by a woman who just wants to walk through whatever door the Lord has opened for her.
One of Cunis’ pieces, a processional banner of Mary Mother of the Eucharist, was recently accepted for the National Eucharistic Revival Art Exhibit, and it will travel from Connecticut to Indiana. It is a shining, intricate, iconlike work with many layers of fabric and brocade carefully pressed, folded and sewn into position, the faces and hands of Mary and her baby delicately rendered in paint.
As delighted as Cunis is to have her fabric work honored, she’d really rather be painting. She prefers the freedom and flexibility of working exclusively with paint, and she’s starting to wade into the deep waters of iconography, with its profound theology of light.
“I would love for a priest to say, ‘I have this big wall and I want you to do a big mural, and it’s going to be in the church for 50 or 100 years,’” she said. But it all comes down to how the Lord is leading her right now.
Right now, she’s just finished a set of four tapestries for Sacred Heart Church in Bloomfield, Connecticut, a building that had some vast, empty spaces to fill. It’s a gymnasiumlike structure, and that’s not just a coincidence. The church was built in 1962, when Catholicism in the United States was still burgeoning. The congregation assumed their parish would continue to flourish and grow, so they built the church intending to eventually convert it into a gym for the Catholic school.
“It just didn’t happen,” Cunis said. “People were caught flat-footed, and the gymnasium church remained the church.”
The school closed in the ’80s, a nearby church also closed, and the large, simple structure of Sacred Heart became the main church building for the congregation. It had been decorated and made suitable for worship, but still had a rather bleak facade on the apse wall.
The pastor saw Cunis’ work in a local shop, and a lightbulb went on. The gray space has now been transformed by a small host of angels rendered in shining fabric.
Cunis’ first banner, though, wasn’t designed to enliven a large space, but just the opposite…
Read the rest of my latest artist profile at Our Sunday Visitor.
Thank you for this series. Her tapestries are unlike any I’ve seen! And it’s always nice to see someone doing creative work after raising kids. Gives me hope that I too might have more bandwidth for making art someday.