The Federalist God is a psychopath

Yesterday, after the mass shooting at baptist church in Sutherland Springs, Texas, Lutheran pastor Hans Fiene wrote: When the Saints of First Baptist Church Were Murdered, God Was Answering Their Prayers.

I gave Fiene the benefit of the doubt. Authors often don’t choose their titles, and editors are always looking for clicks, so maybe he didn’t really mean what the title said.

I read it. He meant it. I’m not familiar enough with Lutheran theology to say whether he’s describing it accurately, but it sure isn’t Catholic theology, and he makes God sound like a psychopath.

First, let’s discuss what Fiene probably meant to say. He meant to say that God can bring good out of any evil; that good will always triumph over evil; that evildoers can kill the body, but not the soul; and that this world is fleeting, but salvation is eternal. He perhaps meant to say that suffering can be salvific, and that physical suffering is not the greatest evil that can be. All true, if perhaps not as comforting to the grieving as he seems to believe.

And he was responding to some awfully cruel and boneheaded comments from the Twitterverse. Snarky atheists are saying things like, “If prayers did anything, [the murdered victims] would still be alive.” They seem to believe that people of faith expect God to leap in like a Jedi and mow down evildoers on behalf of anyone who prays. They betray a complete failure to understand the much-abused divine gift of free will.

Unfortunately, so does Pastor Fiene. Let’s look at what he actually says, what it implies, and how wrong he is.

ERROR #1: The world is evil

When those saints of First Baptist Church were murdered yesterday, God wasn’t ignoring their prayers. He was answering them.

“Deliver us from evil.” Millions of Christians throughout the world pray these words every Sunday morning . . . we are asking God to deliver us out of this evil world and into his heavenly glory, where no violence, persecution, cruelty, or hatred will ever afflict us again.

This is gnosticism. In Genesis, it says, “And God saw everything that he had made, and behold, it was very good.” Although creation has been tarnished by original sin, the world is still good, and goodness and holiness can be achieved in this world, in this life. When we pray “deliver us from evil,” we are not asking God to hasten our deaths. We are asking Him to draw us closer to Him in this world so we can be with Him forever in the next.

If death were an answer to prayer, then murder, including abortion and euthanasia, would be the greatest act of charity.

 

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ERROR #2: Everyone who calls himself “Christian” goes straight to Heaven

So the enemies of the gospel can pour out their murderous rage upon Christians, but all they can truly accomplish is placing us into the arms of our savior.

We certainly pray and hope that this is what happened. But we cannot assume that every human who finds himself inside a church is automatically heaven bound. The victims may very well all be saints and martyrs; but the murderer may also very well have shot someone mired in mortal sin. When we sentimentally and carelessly declare all dead people “saints,” we deprive them of what all the dead deserve from us: prayers for their souls.

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ERROR #3, and the worst: Evil has a place in God’s will

Sometimes, God’s will is done by allowing temporal evil to be the means through which he delivers us from eternal evil.

and

We also pray in the Lord’s Prayer that God’s will be done. Sometimes, his will is done by allowing temporal evil to be the means through which he delivers us from eternal evil. Despite the best (or, more accurately, the worst) intentions of the wicked against his children, God hoists them on their own petard by using their wickedness to give those children his victory, even as the wicked often mock the prayers of their prey.

Pastor Fiene comes very close to saying that God wills evil. This idea is so outrageously false, even coming close to saying it is nearly blasphemy.

If God wills evil, He is not God. 

God can bring good out of evil, and He does. God can use suffering to save us, and He does (if we let Him). But listen to me now.

When a man mows down a pregnant woman and her children, this is not God’s will. Not even sorta kinda God’s will, not even God’s-will-by-way-of-man’s-screw-ups, not even a little ugly streak hidden inside the much nicer and larger kind of God’s will that we like better.

God does not and cannot will evil to happen, not even so that good may come of it. God allows evil to happen, because He has given us actual free will. He accepts that evil is in the world because of original sin. But He is the only source of good, and He is the source of nothing but good. Evil cannot come from Him, and He cannot will evil to come about. This is who God is.

When horrible things happen, there is always a contingent of Christians — sometimes even of Catholics — who insist we must breathe shallowly, stretch our eyes open very wide, stare fixedly into the shiny distance, and declare all things good-fine-happy-triumphant-wonderful-terrific and joy-joy-joy-now-now-now. There is always a contingent who will say these things even to the faces of people who have just suffered immense, incomprehensible grief.

It is blasphemy. Christ wept when Lazarus died. Christ begged for his suffering to pass in Gethsemane. Christ cried out in agony and desolation on the Cross. Why? Because suffering is real. Death is horrible. It is not from God. He accepted and allowed and used all the evil and suffering that came into the world through sin, but it was not His will that there should be evil and suffering. He wept.

This is why we hoist a crucifix front and center in our churches, and not a risen Christ: Because this good, great, beautiful, lovable world is soaked with real suffering and real grief. The Christian thing to do is to weep with the ones who mourn, just as Christ did. Not to tell them that a tricksy, winking God somehow wills it, somehow doesn’t mind our blood being spilled, and it’s really all right their babies are riddled with bullet holes, because God, that bastard, willed it to happen.

The crucifix means salvation. The crucifix also means that an immortal God knows what it means to suffer, bleed, and die. It means that God, the source of all that is good, has been pierced for our sins, and that salvation flows from his hands, feet, and side to wash away sin. Only goodness flows from Him. He pours out Himself. He does not, cannot, pour out death.

If you think there’s no difference between what I said and what Pastor Fiene said, then the God you worship does not know pain and is not truly human. He is not, in short, Jesus.

MOANA review: Even the chosen one has a choice

Early on in the animated movie Moana (2016), the Polynesian chieftain’s daughter has an adorable pet pig who’s always getting into amusing scrapes. You think, as a seasoned Disney audience, that you’ve identified the heroine’s big-eyed, wordless sidekick.

But then Moana just sails off without her pig, and she accidentally and reluctantly acquires a brainless, completely un-cute chicken for a sidekick instead.

This switcheroo feels like a deliberate nose-thumb to predictable Disney tropes. Moana’s constant companion often provides comic relief, but not as a cutesy break from the story. Instead, she has to break away from her own concerns and preserve him from death countless times, because that’s the kind of person she is. And so we get our first clue that Moana is not your typical Disney princess.

Here she is as a baby:

She wants very much to pick up the beautiful shell that is being pulled back out to sea, but makes herself protect the baby turtle, instead. She’s rewarded not for who is she is, but for what she does.

And so the movie departs from typical Disney fare in a more important but less obvious way than the chicken sidekick. It’s instantly established that she’s a strong, determined, spirited girl who is different from the rest, and she’s going to end up disobeying her father and achieving something remarkable, a la Ariel/Belle/Pocahontas/Mulan/Et Al, setting herself apart from the people who want her to stay home, be good, take no chances, etc.

But! While Moana does disobey her father, she has an excellent, self-sacrificial reason for doing so. In fact, she has the same goals as her father has, and she ends up achieving what he has taught her from babyhood that it’s her duty to achieve.

So this is not yet another story where Ms. Lovely Rebel flips her hair at the patriarchy and is rewarded handsomely for betraying everyone who loves her. Instead, she is a good, loving daughter who follows her calling, rather than following her heart. Melanie Bettinelli goes into this refreshing theme in more detail. Obedience is good, but it’s in service to something greater, and sometimes you have to just go serve something greater more directly.

Which leads me to another appealing theme in Moana: There’s a lot about being chosen and being special and having a mission and fulfilling your destiny; but every single character also very clearly has free will, along with being chosen to act. Everyone makes a choice: Maui makes several choices; even the grandmother says, as she gets her (later significant) stingray tattoo, “I hope I made the right choice.”

Moana decides at one point that she can’t or won’t go on any further, and returns the magical whatsit to the ocean. She quits and tells the ocean to choose someone else. And the ocean accepts it.

She was the chosen one, but she still has a choice herself, and she is free to crap out, which she does. (Spoiler: She later changes her mind, and Does the Thing after all, and it’s awesome.) The ocean helps them and sometimes outright saves them, but they have to do a lot more helping of themselves, by deciding to be who they are meant to be.

It felt, for an animated Polynesian myth, an awful lot like how life really works.

Just as Moana discovers that she can fulfill what her father has taught her while still disobeying his explicit command (like her ancestors, finding new islands while keeping her home in mind), she learns that her mission is somewhat different (and quite a bit harder) than she originally thought. She thought she just had to fulfill the letter of the law, act out the myth, and the rest would fall into place. Turns out she has to get a lot more involved than that. This, too, felt a lot like real life.

And if we’re going to talk about the message that young girls are receiving from their cartoon heroines, I thoroughly endorse this one: Yes, you have a vocation, and yes, you need to follow it. No, that doesn’t mean everything will automatically sail smoothly toward your happy ending. At one point, Maui is horrified to find that Moana doesn’t actually know how to sail. She draws herself up and says, with feeble bravado, “I . . . am self-taught.” Yeah, that’s not good enough. Following your heart will only take you so far. You have to not only know what your goal is, but you have to learn how to get there.

This theme of free will choices leads up very neatly to the astonishing and tremendously satisfying climax of the movie, when Moana confronts the great lava demon and reminds her that she, too, has a choice.

Hot damn! That scene is so good (the above clip is only a little bit of it). Best animation I’ve seen in a long time, and very moving.

Other things I liked:

The plot was coherent, and the several themes worked well together. The only messy, unnecessary part was the coconut pirate scene. Seemed like a blatant bid for toy sales; and my old brain couldn’t understand what it was seeing, with all that hopping around and things exploding. But it didn’t last too long.

The heroine had a very pleasant singing voice. Not too nasal or brazen. This almost never happens, and I was very grateful.

All of the characters were likeable and interesting. This almost never happens, and I was very grateful.

It was weird. I don’t know much about Polynesian mythology, but the story was odd and occasionally harsh enough that I suspect they didn’t mess with the myth too much.

There’s no love story, at all. It’s just not that kind of story. The kid is maybe fourteen years old, and she has a lot going on. No boys need apply at this juncture.

A few minor complaints: The pacing was a little off. Some scenes were rushed and cluttered, and others were a little repetitious; but overall, it moved along well.

The mother was incredibly bland. They might as well have done the traditional Disney Dead Mother thing. She does explain her husband’s motivation for cracking down on Moana, and she helps her pack for the voyage, but anyone could have done that. This is a minor complaint, and is probably me projecting.

Several scenes throughout the movie captured something so exhilarating and joyful, I was amazed. The vision of her ancestors is a thing of beauty:

It is a captivating and rejuvenating movie. See it!

Might be scary for younger kids, depending on how sensitive they are.

The Splat Life

PIC Wallace on train

 

The train is whizzing out of control, and he can’t get off, slow down, or change course. In desperation, Gromit snatches a box of spare tracks and frantically lays them on the floor ahead, just split seconds before the train he’s on thunders over them.

This is more or less what it’s like to raise a child. Yes, you have to work frantically to stay ahead of that train; but no, you’re not exactly in control.

Read the rest at the Register.