We buried my father a few weeks ago. He and my mother had bought plain Trappist coffins for themselves years ago, to spare us children the trouble. But my father’s house, even though it had many rooms, was short on space, because it was so full of books — books to sell, books to read, books to just . . . have. And the coffins were also full of books. Books everywhere. Think of all those words, words, words.
Some years ago, when my sister lived there for a while, her little son took a marker and scribbled on the side of the casket, as kids do. I think he must have been pre-literate, because it almost looks like a letter, but maybe not. Who knows what he was trying to write. Whatever intentions the child had went down into the grave with my father’s body.
If this sounds grim, I’m telling it wrong. We all thought it was hilarious. That’s something my father would say: “You’ll go to your grave not knowing,” with a satisfied wiggle of his eyebrows. He loved having a secret, and he loved having a joke. And he loved talking about death.
At the cemetery the rain dripped off my hood and onto my virus mask, down my rain jacket, off the lame bunch of flowers I had bought at the supermarket, because I didn’t know what else to do. So lame.
When my father died, I had to ask my friends how I was supposed to respond to people who had sent Mass cards. I wanted to know if it was all right to thank them via email, or if I needed to send out paper cards of thanks. The part of my mind that wasn’t crying for my father was fascinated by the flourishing of social problems that sprung up overnight surrounding his death.
If someone I don’t know expressed sympathy on Twitter, was it weird to “like” their sympathy? Would it be offensive to tell a mutual friend of my brother that he probably wasn’t ready to receive any casseroles? I was afraid I’d have to come up with something to say at the burial, and I didn’t know what to say.
Was it okay to tell a little joke as the coffin was lowered into the grave? I could hardly help myself, so I whispered it to my husband, who laughed; and then I worried that the laugh might have been caught on the livestream that my brother’s girlfriend was sending to my siblings who couldn’t be there because of the virus.
It occurred to me, nobody knows how to do this. Nobody knows what to say or how to act. This is true any time anyone dies, because there is nothing more unknowable than death. How we love to talk about death. But the ones who can still talk are the only ones who don’t know what they’re talking about.
The only people who understand what it means are, by definition, not telling! So sue me, this makes me laugh, and I know my father would find it funny, too. He spent his whole life talking about death. I wonder what he thinks now.
Thanks for reading, thanks for commenting, thanks for laughing at my stupid jokes, thanks for getting mad when I say stupid things. I loves you all, but Jesus loves you more.
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Body of Christ, from Mary’s body;
Blood of Christ, from Mary’s blood.
Jesus the bread, Mary the yeast;
Mary the kitchen, Jesus the feast.
Mary the Mother by whom we are fed;
Mary the oven, Jesus the bread.
Mary the soil, Jesus the vine;
Mary the wine maker, Jesus the wine.
Jesus the Tree of Life, Mary the sod;
Mary our God-bearer, Jesus our God.
Mary the silkworm, Jesus the silk;
Mary the nurse, Jesus the milk.
Mary the stem, Jesus the flower;
Mary the stairway, Jesus the tower.
Mary and Jesus, our castle entire;
Mary the fireplace, Jesus the fire.
Mary God’s ink, Jesus God’s name;
Mary the burning bush, Jesus the flame.
Mary the paper, Jesus the Word;
Mary the nest, Jesus the bird.
Mary the artery, Jesus the blood;
Mary the floodgate, Jesus the flood.
Mary and Jesus, our riches untold;
Mary the gold mine, Jesus the gold.
If He was capable of healing with a touch, surely He could have performed some other kind of miracle that would have changed everyone’s mind about Mosaic Law, or He could have made the man incapable of spilling the secret, or He could have done a thousand other things to get out of the bind the man made for him when he spilled the beans. The way He chose to do it is impractical and confusing, and it doesn’t make sense to me.
Easter is April 14th 16th. I know, because I have Googled it eleven times in the last week people on Facebook told me so after I got it wrong after Googling it eleven times. That means if you have Amazon Prime, you can still order a nice Easter book for your kids, and it will get here in time.
A traditional Orthodox story telling how Mary Magdalene goes to a feast with the Emperor Tiberius. She spreads the thrilling news that Jesus has risen from the dead.
When it reaches the Emperor’s ears, he says, “Do you see this egg? I declare that Jesus can no more have risen from the dead, than this egg could turn blood red.” Which it does.
“The story opens with three trees on a hilltop; one longs to be made into a dazzling treasure chest for diamonds and gold, the second wants to be a mighty sailing ship that would carry kings across the ocean, and the third simply wants to remain on the hilltop to grow so tall that when people see her, they will think of heaven. As woodcutters fell each tree, we find that although at first they cannot understand why their dreams weren’t fulfilled in the way they wanted, God used them for much greater purposes than they could ever dream.”
Wildsmith’s own passion for the story of Jesus’s crucifixion and resurrection is unmistakable in his glorious, metallic-gold-hued illustrations, which tell the story more vividly than words ever could. In fact, to his credit, Wildsmith adapts the story of Jesus’s last days in as simple and straightforward a manner as possible, allowing young readers to glean the substance from the paintings, symbolism, and, most likely, discussion with grownups who may be reading along.
The donkey’s-eye-view of the events allows a slightly different perspective from the standard, without being overly intrusive as a literary device. Lush jewel tones capture the richness of the narrative, and mesh in a strangely beautiful way with the simple paintings of Jesus, the angels, Mary Magdalene, and others in the biblical cast of characters. The Easter Story will make a gorgeous addition to any Easter basket. (Ages 5 and older)
So difficult to choose just one or two by Maïte Roche. I can’t find a reasonably priced edition of My First Pictures of Easter, which I recommend heartily, so keep an eye out! It’s a treasure.
You will also love MY FIRST PICTURES OF JESUS, a sturdy little board book with captivating illustrations for little ones to pore over. This book is arranged with lots of pictures and only a few words, to inspire your own conversations with kids.
Another lovely offering from Roche: MY FIRST PRAYERS WITH MARY. Here’s one of my favorite illustrations from this book: Mary teaching baby Jesus to walk
It includes several short, simple prayers to Mary, with large, bright pictures of Mary, Jesus, and Joseph, accompanied by smaller pictures of modern children on the facing pages. The faces are very inviting.
A departure from dePaola’s familiar Renaissance-inspired, style:
From the reviews:
“This joyous book sings thanks and praise for everything in land, sea, and sky-from the sun and moon to plants and animals to all people, young and old. Beloved author-illustrator Tomie dePaola captures the beauty of God’s creation in his folk art-style illustrations. With text inspired by Old Testament Scripture and artwork fashioned after the beautiful embroideries and designs of the Otomi people from the mountain villages around San Pablito, in Puebla, Mexico, this is a wonderful celebration for all to share.”
Illustrations in the style of my man Bruegel! This is on my wish list. From the reviews:
“[A] young donkey named Bethlehem and the interaction he has with Jesus beginning the Messiah’s birth and proceeding through the flight into Egypt, the baptism by John, the wedding feast at Cana, the events of the Last Supper, and finally with the Jesus’ crucifixion at the hands of the Roman authorities.” Christ appears somewhere on each page.
I was skeptical, and boy do I want to be careful showing my kids any moving, speaking representation of Christ. This is not perfect, but it’s good, and powerful. Hope to rewatch soon and provide a more detailed review.
Sometimes Christ says, “I am the way,” and when you try to follow Him, you find yourself alone in the world. Sometimes He says, “I will give you rest,” and when you accept, then the real work begins. Sometimes Christ says, “I am love,” and when you go to Him, the first thing you feel is a terrible pain.
Then what? What are we supposed to do then, when we are repelled or confused or hurt by these unexpected “mixed metaphors” of our encounters with a Christ who is all things?
